How We Hear the World In ‘32 Sounds’
Documentary filmmaker Sam Green taps sound designer Mark Mangini to help explore and explain everyday audio perception—with binaural recording and playback—in ’32 Sounds.’
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Documentary filmmaker Sam Green taps sound designer Mark Mangini to help explore and explain everyday audio perception—with binaural recording and playback—in ’32 Sounds.’
Get ready for a conversation as epic as Avatar: The Way of Water, as Mix sits down with the audio team behind the blockbuster's...
Five-time Emmy Award-winning Re-Recording Mixer Josh Morton has joined Levels Audio, the award-winning audio post-production and sound design studio.
Respect's executive music producer Stephen Bray, music editor Suzana Peric and re-recording mixer Paul Hsu talk about the setup on the set, challenges of...
KING RICHARD | Go Behind the Scenes with Supervising Sound Editor/Designer Richard King and Re-Recording Mixer Ron Bartlett.
James Bond has always had the backup of MI6, but for his latest film, 'No Time To Die,’ 007 had the support of a...
The sound team behind 'House of Gucci' discuss how they met numerous challenges during production, including evoking different eras and locations in the epic...
Supervising sound editors/re-recording mixers Becki Ponting and Craig Berkey went to great lengths to integrate the dialogue and songs of 'Cyrano.'
In this panel from the Mix Sound for Film & Television event, top music editors, supervising sound editors and sound designers discuss their favorite...
In this exclusive panel from the Mix Sound for Film & Television event, re-recording mixer Eric Hoen, VICE Media Group Head of Post-Production Mark...
Bay Area Sound Designer and Re-Recording Mixer Ren Klyce will deliver the Day 2 Keynote Address in a sitdown conversation with sound designer/re-recording mixer...
The Cinema Audio Society’s highest accolade, the CAS Career Achievement Award, will be presented to multiple CAS and Oscar-nominated Re-Recording Mixer Tom Fleischman, CAS,...
His contribution to music and film cannot be overstated. As a body of work, it is truly overwhelming, a reflection of a remarkable audio...
“If I’m restoring a film, I adopt the attitude of, ‘How might the filmmakers had done it if they had Atmos tools at the...